Expressive Arts is a beautiful process of coming home to oneself. We often spend a lifetime detached from our bodies and others-replacing connections with fallacies of social media and text message. It’s easy to scroll for hours, send a quick text, developing a habit of nonchalant routine. But is that really connection? Some say yes. They are able to check in with family all over the world or they need to check out after a long day, but that is not connection with self or with others. We’ve developed a nasty habit of leaving ourselves without coming back to self. It is anything that allows someone express who they are, their experience, giving a voice to the voiceless (i.e. believed to be unheard or experiences stuck in the emotional part of the brain that does not have access to language in the thinking portion of the brain).
Coming home to self and providing a voice to our emotions and experiences that get shoved aside with disconnection, allows the individual to settle into their own skin. They’re able to figure out what it’s like to build a home with self and the meaning of connecting to life around them. For me, Expressive Arts as provided a way for me to communicate what my home, my body, needed to spring clean to feel safe.
For me, the best part of Expressive Art Therapy is the aftermath, when the supplies are strewed about the space and smudges of paint, pastel, and glitter are left behind. There is always a different light that shines brightly in my clients’ eyes. A sense of fresh air that I’m able to sit with. The aftermath is a complete flip from when I start working with clients, because what is this going to accomplish? I can’t tell you how many times I get eye rolls or eyebrow raise when I begin pulling out crafting supplies in session.
The aftermath of Expressive Arts processing is different from the excitement in the middle of the process and the middle of their treatment continuum. Once the world of Expressive Arts is introduced, the craving to express, the desire to be heard, seen, healed, takes a front seat. It’s the lit match blossoming to life, of insight settling in for the ride. It’s the self-permission to express leaking out onto the page.
I promise you when someone is in process, it is mesmerizing. It is awe-inspiring to watch someone learn to trust themselves enough, and you enough, to express themselves. It is awe-inspiring to sit back after a session with paint smudges, charcoals, cut paper littered about, and seeing that person, that client running with ideas (regardless if it’s merely an upturn of one corner of their mouth, staring at their piece, or rushing to share what they noticed in excitement). It is wonderful when you’re able to experience this yourself. Sitting back from my pieces and taking in the message conveyed in writing or imagery. There’s nothing quite like it.
When I’m cleaning up after a client and groups, I can’t help but smile at the charcoal coating a chair or paper debris on the floor. They made a mess. They made a mess, even thought they were previously asking permission to move, worried about staying in the lines, asking to use paint. They made a mess. They let themselves make a mess, to put their hands in paint, fold and tear paper, to express everything they’ve kept inside. They let themselves try something new and permission to sit with self and explore. In a world where we’re told what to do and stay in the lines, to disconnect and move on, the best thing we can do for ourselves and those we work with is to step outside our comfort zones and greet the unfamiliarity of imperfections, emotions, and to provide a space for expression in all its formats.
“Jamie, when we first met, you brought up all of my popular girl issues and I didn’t know how to act around you.”
My mouth was agape when Ramona, a member of the Dancing Mindfulness community and now a senior affiliate trainer in our program, revealed this to me several years ago. While I didn’t wish to negate her experience, there was a part of me that wanted to rage back, “But you don’t understand! I’m anything but a popular girl. After all, the popular girls in school gave me a complex that’s taken years of therapy to repair!”
The images of that chubby girl with a bad perm being teased and set up on the Catholic school playground in elementary school came flooding back. The panic I experienced in junior high that I would never be “liked” in that way by a boy or a girl rose up in my chest. The despair in which I found myself as a competitor in high school speech because I never felt pretty enough, talented enough, or likable enough to win the top prizes came into the clearest view. Then I realized—even as an accomplished professional with a public image, I still let the kids I perceive as more popular affect me. And it turns out that many of us still do, long into adulthood.
There’s a great deal of talk about impostor syndrome in pop psychology literature and on social media—the fear that one day people are going to expose us as the frauds that we are and realize that we’re full of shit and have no business to be working in our fields. What I am putting out there for consideration is related and yet essentially different—the popular kid complex. This is the fear that no matter how hard we try, how great we look or how talented we are, we’ll never be invited to sit with the popular kids at their lunch table. While we can argue that in an ideal, spiritually enlightened world there ought to be no such thing as lunch tables and that external metrics of this nature shouldn’t matter, we do live in that world. And no matter how hard we work on ourselves or how deeply we invest in our spiritual practices, things like this can still matter even to the steadiest among us.
This idea may feel like just another variation on the keeping up with the Joneses concept, always wanting more out of a sense of competition. To explain how I see the popular kid complex as fundamentally different and even bigger problem, I’m going to call myself out on my own shit. Many years ago, I set out on the path of my teaching career as an extension of service and continuing to live in the eleventh step as described in a 12-step program—to pray for knowledge of my Higher Power’s will and the power to carry it out. At first I was simply over the moon that people wanted to book me for trainings and read some of my articles. The more I kept putting myself out there, I gratefully received more teaching invitations and my first book contract in 2011, primarily to write for other therapists.
Then at some point, I found myself getting intimated and maybe even a little jealous by the likes of Brené Brown, Gabrielle Bernstein, and Anne Lamott. They are popular! They are on the New York Times best seller list! They have a reach beyond just their niche market. Oprah invites them onto Super Soul Sunday, the ultimate cool kids lunch table for modern times. Here’s the kicker—I like their stuff, I adore their teachings. They put themselves out there the way that I would like to, and what still stops me short is this fear that I will never be as pretty, whimsical, charming, likable, talented, relatable, or popular as they are. I am even prone to thinking thoughts like, “Why does the world need teachers like me when they have teachers like them?”
Fortunately those thoughts come and go, as I know at my core that what I do in my work is a direct fruit of me asking my Higher Power and the universe to make me a vessel, in whatever form that may take. But as much as that spiritual perspective keeps me grounded, I am still human. My meat suit and all its programming can get the best of me. In the language of recovery, I can still get in my own way.
Sometime last year I looked at jealousy—is it that I’m just jealous of people who are better than me and can get things done where I can’t? The teachings of the Kripalu-Amrit lineage in which I study yoga helped me through that one. I accepted that jealousy is a fear that, at my core, I am not enough. Jealousy is about being cut off from the reality of my true Self and my true nature where none of us are separate. Spiritual me gets that. Human me still struggles.
I was recently doing some of my own EMDR therapy on this matter and the Brené Brown brings up my popular girl issues and I’ll never be likable enough to get a Netflix special was tripped-wired. The therapist working on me said “go with that” and I immediately blurted out, “Brené Brown is my Marla Carano.”
Marla Carano was the best speaker in the Ohio region where I competed my senior year of high school. Tall, articulate and charming, she looked about ten years older than the rest of us, wearing a stylish olive green suit for major competitions. She went to one of the powerhouse suburban high schools where her father was the legendary head coach. As a kid from a city school with a small team, I believed I could never be as cool as her. To be clear, she won on her talent. Also to be clear, Marla was always a gracious competitor and genuinely nice to me. I never felt anything like a “mean girl” vibe coming from her. Yet I could never shake the fact that I would perpetually be second or third next to the likes of her because I wasn’t as pretty, whimsical, charming, likable, talented, relatable, or popular as she.
And the reality is, in what has since become the classic Dr. Jamie Marich move that has defined my adult career, I wrote a pretty avant-garde original oratory for high school speech tournaments. My speech created conversations with other students and even other judges even if I didn’t necessarily win top prizes. The move I made that year to put my voice out there is the gutsiness that I celebrate and applaud in my own students. That move, I believe, made me the speaker I am today whose primarily livelihood is literally forged on my ability to go up there and speak truth without fear.
So why isn’t that enough? At seventeen, one could say I was still in high school and having a place in the spotlight matters. But I’m nearly forty. Why can I feel, especially within myself, that life is still a damn speech and debate competition? Maybe it is. After all, I’m still vying with others to win teaching contracts, spots as a keynote, deals with publishers. The cynical and yes, human, side of me knows that there will always be an element of competitiveness to life. As I continued to “go with it” in my own EMDR session that day the larger, spiritual truth filled my heart—teaching and being public in my field must never be a competition.
Our purpose as healers is to alleviate human suffering, bringing one of Buddha’s noble truths into beautiful fruition in this world. This task takes all kinds of people—those who have mass appeal and those who have niche appeal—and all types of talent. Working the front lines of community care in places like correctional facilities, treatment centers, and poorly funded public mental health facilities requires talent and commitment. People who will never give a training or write a book have a different yet wholly essential talents that I do not. This is where the heart of our work is happening and when I get into crazy places with my own ego, I must remember this truth.
In preparing to write this piece, I reached out to Marla Carano Honen, as we’ve been in touch on Facebook through the years. I wanted to make sure she was okay with me putting an article out there in which she is my nemesis of sorts. Marla is anything but a villain; she has helped me to see a higher truth. And in speaking with her about the premise of the popular kid complex—guess what? It affects her too! I firmly believe we are all that “popular kid” to someone who brings up their issues, and all of us have popular kids who bring up stuff that as adults we must learn to heal and to manage.
I also had the chance to spend some time on a retreat (Ram Das: Spring on Maui) with one of my legendary popular kids, Anne Lamott. And guess what? Anne has struggled with the perils of comparison and can still face her own share of dark thoughts. What I learned from her so robustly on retreat is that she continues to put one foot in front of another by working a 12-step program and reaching out to safe people with whom she can be honest. And in a story I ended up sharing with her, Anne helped me to sink into much of the solution.
After sitting through another beautifully folksy talk by Anne in her awkward loveliness, I walked to the back of the pavilion to get some tea. I thought to myself, “Jamie, even though you are getting more public with your work you will never be as likable as that.” And literally in the next breath a lovely young yogi comes up to me and says, “I like watching you dance at the kirtan. It’s so inspiring!”
Okay, I’m human enough to admit that part of my thinking went to, “Wow, a perfect looking young yogini likes the way I dance, I matter... I am valid! Roll credits.” Fortunately the spiritual truths of what I’ve been learning and studying kicked in and gave me the real lesson: When I dance, I am my most authentic self. I dance absent any kind of technical prowess. Dancing and responding mindfully to the music is the purest experience of being a vessel for Divine energy to flow. That doesn’t make me popular, and yet it does something much more magical. It attracts the people who need to feel it too so that hopefully they will be inspired to open up and be their unique expression of Divine flow.
And hmmm... doesn't this sound like something Brené Brown would teach in her groundbreaking work around vulnerability? Turns outI just had to work on my edge around her to fully open myself up to the teaching. From the bottom of my heart, I thank you Brené and all of my other popular kids for allowing me to "go there" and receive your wisdom.
For as long as I can remember, I have adored flowers. Looking at wildflowers in the fields or noticing several varieties alongside houses in my neighborhood are some of the first pictures that come up in my head when I float my memory back. I remember having to ask my mother’s permission before picking them in my own yard or my grandfather’s yard nearby because I once got in trouble for plucking some of the neighbor’s tulips. I’ve only recently started to appreciate the awesomeness that my mother is named Rosie (which she prefers to Rose)—and that literally makes me a flower child!
I can’t remember when I first received flowers—it was likely when I made my first communion around age seven. I fondly recall getting flowers from my friends and family when I was in my first big stage show at twelve. The confirmation name I chose for myself when I received the sacrament in the Roman Catholic Church is Marie-Therese. I selected the name to honor St. Therese of Lisieux, also called the Little Flower. The first tattoo I got was of a flower (a peace lily on my hip). Even though both of my marriages ended in bitter divorce, I still have several fond memories from both relationships that involve receiving flowers. On a recent pilgrimage to India, one of my drivers—a lovely man named Ratan—climbed a tree to pick me the state flower of Uttrakhand in the foothills of the Himalayas. This gesture had me beaming from ear-to-ear and made me realize just how much I love receiving flowers.
So what better way to honor the sacredness that I am than to practice buying myself flowers? We can put so much weight, especially as women, on what it means to receive flowers as a gesture of love or appreciation. But who is to say that for flowers to have such appreciative value, they have to be gifted by someone else?
Although I’ve picked flowers for myself over the years, I do not consciously recall buying myself a bouquet of flowers until about two years ago. I purchased a beautiful dozen of pink roses to celebrate my separation from marriage number two and all of the pain it represented. After that marriage ended, I entered into a period of deep inquiry to investigate and ultimately heal the remaining layers of relational trauma that kept me in this loop of unserving relationships. And in my sadhana (spiritual practice), my guides led me back to a favorite poem from which I’ve drawn great strength over the years, After A While by Veronica A. Shofstall. After my first divorce, I wrote a song called “Grace of a Woman” (which became the title track to the last album I recorded in 2012) based on a line from this poem. The repeating line in her poem is “after a while you learn”… During that period in my life, this line most resonated for me:
And you begin to accept your defeat with your head up and your eyes ahead
With the grace of a woman, not the grief of a child
Clearly that was the lesson my foolish heart needed at the time. Yet with one of the classical definitions of foolish being “slow to learn,” there was still more healing to be done…
Within a few weeks after my second husband and I parted ways, I remember standing at the entrance to the grocery store near my home where the florist is located and Veronica’s poem came back to me like a lightning bolt. Specifically the wisdom:
After a while you learn that even sunshine burns if you get too much
So you plant your own garden, and decorate your own soul
Instead of waiting for someone to bring your flowers
Thus, as a ceremony representing the new phase of healing that life was bringing me through, I bought myself that bouquet of the most beautiful pink roses. I brought them home, put them in a vase, and all felt right with the world.
“I can do this,” I resolved, “I can be okay by myself, as I am.”
During the period of initial healing I bought myself flowers regularly to keep reminding myself of this lesson. Truthfully, I fell out of the practice after about six months. I started to feel much better. And then, about a year after the separation, I started seeing someone. Although not to the same extent as in earlier seasons of my life, I noticed some of the same patterns about needing to be wanted pop back up and disturb the peace in my life. Even though I’m slow to learn when it comes to my personal healing, I do learn and I’ve been able to nip much of this potential destruction in the bud.
Getting my latest book Process Not Perfection prepared and ready for publication happened alongside me doing some deep therapeutic digging about the remnants of relational trauma. Healing those wounds has proven to be the greatest process of my life. The day that the book officially released, I allowed myself to sit on my couch, breathe, and take it all in. And then the wisdom inherent in Veronica’s poem came back once again—go out and buy yourself flowers. Celebrate you! Celebrate not just all that you’ve accomplished, celebrate the wonder that you are! Indeed, decorate your own soul…
We can decorate our soul in a variety of ways along our healing path in ways that are not entangled with attachments to others. Even if you are in a committed relationship, please consider nourishing yourself in this way. Perhaps planting a garden is more your style than buying flowers. Do it. Do whatever is going to help you celebrate your own wonder while cultivating beauty in your life. I am worth it, you are worth it. And perhaps if we deepen into this practice of gifting ourselves with the beauty we deserve, we will indeed spread that healing like wildflowers through this suffering world desperately in need of that colorful energy.
Institute for creative mindfulness
Our work and our mission is to redefine therapy and our conversations are about the art and practice of healing. Blog launched in May 2018 by Dr. Jamie Marich, affiliates, and friends.