I was sitting in front of a client one afternoon as she talked to me about the rape she had experienced a few months ago. As the tears streamed down her face, I began to feel my hands shake, not that she could see, but enough that I definitely noticed. She continued in details of what happened and I remember floating to the top of the room. As she cried, I could only observe her and watch without feeling as I had left my body and floated above myself. I could see my clipboard, writing nothing, see the steaming coffee beside me, hear her sobs and comments; what I could not do was feel anything…until I came back inside myself. The session was concluding and I was able to offer some superficial comfort as I escorted her to the door. When I closed the door behind her, I could see the bathroom door as I opened it. I saw my best friend standing there with another male friend of ours as they had this coy look on their faces. I recall thinking I was in trouble but did not seem able to react until they began to pull me along, down the hall, and into the bedroom. Once I was thrown to the bed and my clothes were being torn off, I could feel the tears on my cheeks, just like my clients. I slowly started to float above this scene and watched in horror. When I noticed I was still in my office and I was staring at the door, I came back to the present awareness, went to my desk chair and wept. I knew it was time to reach out for help. I could not control these memories, these feelings any longer.
I reached out to a colleague who was an EMDR therapist. She agreed to see me to help with anxiety issues I was having from work. My agenda was to be able to trust her enough to share this secret and work through it, but I remember being terrified to talk about it. The longer I met with her, however, the more comfortable I became and it did not take too long before I was able to tell her about the experience. That was hard enough, but as I sat in her office, I wondered how I would ever be able to release all the pain of the rape. How do you even begin to talk about this? How do you let go of this? How can you possibly ever trust again? Be whole again? She was very patient with me and, as I could, I began to share what happened with her. I was able to ask some of the questions I had been thinking and she began to tell me what she thought would help.
She introduced to me a procedure known as EMDR therapy. She explained that EMDR works to help resolve traumas and she talked about what we would actually “do” while in sessions. She said I would watch a light bar, following the light with my eyes, and this would begin to let these emotions process in my brain. I thought it was weird and probably would not work, but desperate for healing, I agreed to try. We talked about some of the negative beliefs I had about myself as a result of the sexual assault and how it had altered the way I see myself. I would have flashbacks and nightmares often and we talked about these as well. We took things slowly, as I could not handle too much at a time. She knew that and while pushing me somewhat, she also respected the boundaries, the lines I could not yet cross.
During the sessions, I watched the light bar and also wore headphones, which sounded a rotating “beep” back and forth in unison with the light. With both these forms of bilateral stimulation being conducted, I would picture things in my mind, feel what was going on in my body, and notice what memories or thoughts would come. Often a lot of emotion came out, sometimes I was not sure about what. This was all part of the process. We would target in on a belief due to a situation and then would let me “process” that, meaning I would watch the light, listen to the beeps and notice what happened in my body and mind. It only took a few times to realize something was happening with this process. I was beginning to deal with my past.
We continued to use this therapy to help process other areas of my life as well. Some of the other situations involved other sexual traumas I had not recalled with this great a detail. Although I was having these memories surface, I felt safe knowing we were working through this together.
I cannot say I enjoyed the therapy and remember many times leaving her office emotionally drained; yet I knew I was healing slowly. I recall one of the scariest times of the processing was when she had me hold the picture I was seeing of the rape in my mind and watch the light to begin to process this. Immediately I began to feel anxious as I pictured the scene. Although there was fear, what I realized was I was having these feelings anyway, but it was different this time. I could begin to feel myself releasing some of the pain through this process. I could feel some of the anxiety go from inside my soul. I was tearful as I followed this light and at times would sob. What was important to me, however, was that these images were beginning to change. I was able to see the incidents and not float away; I could stay inside myself and feel what I had pushed down for the first time in years. I was allowing myself to heal. Through the pain of the trauma, I was being led down a safe avenue to process this with the care and safety of my therapist right there, guiding me. I did not have to be alone in these memories anymore.
Sharing the story of the rape was one of the hardest things I ever had to do. To let someone else in to see my pain, shame, embarrassment, anger, and vulnerability was like an ache I had never before felt. But as my therapist always said, in order for true healing to happen, someone has to witness your grief. Until we can share that pain with another person, we will never truly be free of it. This made all the sense in the world to me as I had carried that grief around for years. Being free of it used to just be an unobtainable thought, but now through EMDR therapy, I could see real hope.
As I mentioned previously, I also began to recall with more memories and details a few other incidents that occurred in my childhood. Had I not been doing the bilateral stimulation that EMDR utilizes, I do not think I would have been able to recall some of the specifics that made all the pieces come together. I was able to remember what happened to me in that day care, in that school office and in that neighbor’s home. I was also able to share these experiences with my therapist and we worked through these as well. When I say working through it, it does not mean just forgetting and moving on. With EMDR, I was able to feel the emotions I had pushed down in regards to these events and begin to let the emotions go. It was as if all the years of pain came up and passed through me again. However, in order to be able to truly integrate this as part of me, this had to occur. I never knew what “processing it” meant until I discovered the EMDR journey. It was like a life saver to me. I was able to be free of the pain, not just pushing it away. I could recall the memories, but allow them to stay in the past where they belonged. I did not have to let them hurt me anymore in my present life. I could be free.
In many parts of Ohio, competitive speech and debate is a sport. I caught the bug my sophomore year where I tagged along with my best friend to a tournament. There was something about the pageantry of even a run-of-the-mill weekly speech tournament that was magical—and I wanted to be a part of it! I was transitioning out of figure skating, deciding to focus more on academics, and competitive speech seemed to be the perfect fit for me. I got to dress up, perform, and be my geeky self…how could I not fall in love? I went to a city school with a very small speech team and it made me proud when I was able to represent and often best kids from the Catholic schools and the big suburban juggernaut teams. It felt like I was a skater from a small country going up against the Russian powerhouses! In my competitive days I was never the best of the best, although I got a chance to try out many new ideas that would be the root of what I now identify as my professional voice. Junior year I made it to state and senior year I made it to nationals. Although constantly stuck in the second or third place slot my senior year and bitterly let down at some big tournaments, I remember my time on the speech team as my most precious in high school. Some of my dearest friends, many from those powerhouse schools, were made during my time in competitive speech.
So it’s no wonder, like any obsessed sports fan, that I spent the better part of fifteen years after leaving high school involved in high school speech in some manner as a coach. And coaching young people on several different types of teams proved even more transformational than my own high school speech experience. Yes, I was a “speechie” in high school, as we are often called, yet being a coach crystalized the power of that identity in my being. For this reason, I dedicated my newest book Process Not Perfection: Expressive Arts Solutions for Trauma Recovery to my students, the “speechies” that I coached between 1997 (the year I graduated from high school) until 2011. As I reference in the dedication, they truly taught me the power of expressive arts as healing.
I coached on four teams during that time—I assisted at two schools while I was an undergraduate. I had the privilege of being the head coach of Chaney High School, my alma mater, when I was in graduate school and during the first two years of clinical career. To coach a Chaney kid to a state title, and coach another to three state final rounds in three different categories during his tenure, brought my “small team” kid experience full circle. I thought I was done…what could top that? Then in 2008, when I moved to one of those suburbs I once growled at when I was a city school kid in Youngstown, OH, the head coach of that team (an old friend of mine), pulled me in for one more go as his assistant. I got to coach on two state championship teams, a new experience for me having always either been on a small team or having coached one.
During all of these stints I met such awesome young people—I can think of no other adjective for their spirits or for the experiences I had coaching them. Coaching is not quite the best word. Rather, I had the privilege of guiding them through process, the construct I now celebrate in my work as a trauma-focused expressive arts therapist. To be in process as you prepare for competitive speech, especially if you want to see good results, is to be constantly willing to engage in trial and error. As a coach I often guided my kids through one sentence of their speech or performance piece in thirty different ways, just to test it out and notice what best popped. This same idea applies whether a student is in more of a performance-based category like drama, humor, or poetry reading, or one of the classic speaking categories like original oratory.
Working with my students is where I really developed the competency of listening with my body, a skill that has served me well as a trauma-focused therapist and expressive artist. You listen and you notice with something that often can’t be put into words for a sense of “That’s it!” These moments can happen at 7:00pm at night in a high school classroom, long after other students have cleared out. And then your student may take it to a tournament, try it out, and it falls flat, which can be an invitation back into process. Or, they may take the fruits of their work to a tournament and, following the flow of their intuition, may create even more magic than you or they even thought possible during those hours of practice.
I wish that I could tell stories about all of my students in this piece, but there is simply not enough room! A book wouldn’t even suffice. In reality, they all taught me something. Even the kids who resisted the depth of practice it would take to be competitively successful taught me about process, whether that was getting to explore resistance or to realize that for some kids it’s never about winning. The process is in the having fun, enjoying friendships and trying something new in their high school speech experience. In expressive arts therapy we talk a great deal about the work not being outcome-focused. Because competitive speech is, well, competitive, the end result was imperative to many of the students I coached. It was to me at the end of my high school speech career which is why I don’t think I enjoyed it as much as I could have. Yet I inevitably found that the students who were willing to dive in and embrace the process—the trial and error, explore the range depth—ended up being most successful in terms of trophies and titles won. I think there is a lesson here for those of us who pursue the arts professionally in one way or another—the power is in the process. Focus on the process, and you may be utterly amazed at the outcomes you are able to achieve.
And then we can pick apart what it even means to be successful. In reflecting back on my own high school speech career, I never came close to achieving the success that many of my students did. Yet I now have a professional career and public image that is based largely on my ability to speak publicly. I remember the first time I offered a continuing education training for other professionals in 2007, one of my colleagues asked, “Where did you learn to hold a crowd like that?” I chuckled and replied, “You have no idea,” thinking fondly on all of those hours I spent preparing with my own coaches and friends in high school, talking to walls (a common warm up practice on tournament day), and then working with my own students. The trophies have been thrown away or recycled and yet the fruits of the process remain.
Now looking back, the students who had the most impact on me are those who were never major contenders for awards. Yet I saw them blossom in terms of confidence and ability to stand tall and speak their voice. I remember one student who came to me during my second stint as an assistant, asking me if he could still be on the speech team even though he had a speech impediment. I adored his spirit right away and welcomed him aboard. He is now a lawyer. The person I coached to the state title at Chaney is a teacher and speech coach herself in Baltimore, and I beam with the pride of a mother when I see the pictures she posts at tournaments with her own students.
So many of my former students are making a real difference in this world, regardless of their chosen profession. Through the wonder of social media and texting, I am still in touch with many of the young people I had the joy of coaching through the years. Instead of talking about gesture placement and intonation, we now talk about life. It warms my heart that they can still seek out my experience, strength and hope… and it’s a two-way street. When I hear some of the young people, I coach make such intelligent life connections that I wish I would have made at 22 or 23, I smile and thank them for sharing a lesson with me.
And this is what I mean by all life being a chance to engage in process.
For years I was scared to buy paint. One of my college roommates was an art major, and it captivated me to watch her paint. She had the capacity to create such beautiful, museum-quality pieces with her amazing talent. I loved to watch her work her magic! To this day I am proud to have several of her pieces and prints in my home, as I’m reminded of those beautiful memories of watching her in-the-zone.
Like many people I’ve worked with through the years, my barrier to painting and to most visual art came from a sense of “I can’t do it,” or “I’m not good enough.” I never seemed to have this issue with music, dance, theater, or writing where there was at least some evidence of my competence, usually in the form of compliments or accolades received. I never had a problem calling myself a writer, for instance, winning many awards throughout middle school and high school. And then came the books…
But to call myself a visual artist? To call myself a painter? Hell no! After watching my roommate work, I still felt you had to have a special artist license to even buy paint…
There is one visual form I felt reasonably comfortably approaching: collage. Born out of my love for making travel scrapbooks, collaging spoke to me because there didn’t seem to be competence involved. And I very much enjoyed the process of taking scraps and allowing them to develop into something meaningful when put together. As I began working with my own expressive arts mentor Christine Valters Paintner, I began to get braver about working with visual arts. Sure, I’d long kept some basic drawing materials in the office for my clients and out at Dancing Mindfulness retreats. Yet when I began working with Christine and realizing just how much Dancing Mindfulness as a program connected with the all-of-the-above nature of the expressive arts, I got braver about exploring my edge as an expressive artist.
I continued with collage and ventured into working with pastels and markers. I quickly found that visual arts had even more to teach me because I didn’t approach them with any kind of expectation about the quality of the product. There’s something to be said about being the worst kid in art class who was never chosen for any shows. Because competence was never my focus in visual art, I was naturally more open to just enjoying it, to being in process, and learning from what making just for fun revealed.
I credit crossing the paint threshold to my ex-husband after he saw how much I liked coloring and pastels. When I was going through an especially rough patch in the Fall of 2016, he bought me a paint-by-numbers kit. Although initially skeptical, I soon found that I enjoyed it even more than coloring books. There was something soothing and containing about having lines in which to work, yet my hand responded to the sensation of moving paint along a canvas. I loved everything about it; the colors, the smells, and yes, even the feeling of accomplishment when I saw the final product. There was some leftover paint and while at my local craft store on a run for some other supplies, I bought a small canvas and decided to use the leftover pain to express something original. I painted a mandala and it spoke to me very much.
I continued with this process for the next few months—finishing paint-by-numbers kits and then using the leftover paint to create something original. After a couple rounds of this process, I got brave enough to order some of my own paint off of Amazon and continue with my explorations. I approached it as something fun to do, something that let me play with color and texture and sensation and not be bound by the shackles of outcome.
A few months into this journey is where the painting that graces the cover of my latest book Process Not Perfection: Expressive Arts Solutions for Trauma Recovery revealed itself to me. And in this revelation came what is perhaps the greatest lesson that I ever received about the power of process: be open to where the unexpected, even the failures, may guide you. A pleasant surprise may blossom when you shed these expectations.
I laid down a foundation in gauche, the first time I ever experimented with this unique form closely related to watercolor. I also played around with using some shimmery paints that you can apply with a spray bottle. I liked the mystical ocean of color that was coming into existence! Then the idea came to me—paint a Hand of Fatima! This blue magic would certainly be an ideal backdrop for this symbol I’d come to adore. I printed out a copy of the hand online to follow. This unique pattern, sometimes referred to as a Hand of Hamhsa, seemed relatively easy to copy or trace, even for someone as unskilled as I. When I looked at the lopsided result of my attempt to paint the hand in white acrylic with a fine brush, I was disheartened.
“See, I ruined my cool blue background,” I huffed in frustration.
In the spirit of process, I rolled with that frustration, angrily ripping away a paper towel and I just started rubbing. I hoped that enough of it would come off so that I might be able to salvage some of the base. What emerged was the cool, rather mystical white outline of a flower that you now see on the cover of the book.
“Wow, the hand now looks like a cloud, or a flower,” I said.
I noticed that my raging by paper towel maneuver also made some very interesting patterns on the canvas that I just began filling in with gold… and then with green. And then as I noticed the flower take shape, I finished off the core image with some of the pinkish-magenta that now composes the flower itself.
I stood back in amazement, declaring, “I did that! It’s beautiful!”
And it was totally an accident, the fruit of staying in process and not being fixated on outcome.
From the moment I began writing Process Not Perfection, I knew that this image would be my book’s cover. For being in the process that birthed this painting is when I truly fell in love with the magic of expressive arts. I adore how the practices of expressive arts therapy invite me into a focus on process rather than perfection, and I am so grateful to be surrounded by a community of other expressive artists who inspire me to carry this lesson into all areas of my life.
To the process, my friends! And to the inevitable magic that will unfold from living a life in process…
Institute for creative mindfulness
Our work and our mission is to redefine therapy and our conversations are about the art and practice of healing. Blog launched in May 2018 by Dr. Jamie Marich, affiliates, and friends.